Showing posts with label Tamil Cinema. Show all posts
Showing posts with label Tamil Cinema. Show all posts

Saturday, 4 June 2016

Iraivi - review


A story of chauvinistic men, selfless women, impulsive decisions, compelling thoughts, provocative content, noble intent, all of that conveyed in parts and lost in translation at  most.

A character sketch for your interest ;

A dejected director's creation fails in his race against  time and fate,  when confronted with the love he bears for his brother. ( S J Suryah)

A smuggler's respect for women makes him desire for an ill treated wife of another.  He's a man in solitude, who wails in sorrow when he sees undeserving men partner divine women Ill treating them to the point of dejection,
never understood by his siblings, wants to avenge men that ill treat women, wants to covet another's wife for he can offer her a better morrow. (Bobby Simha)

That another with misplaced loyalties, failed love life, undervalued service to the undeserving, neglection of the deserving, with a wife that loves another but lives for him. (Vijay Sethupathi)

Now comes the part of the women who play the better halves of the above.

An office going wife, married to a drunk n impulsive idiosyncratic director,
in crossroads In her life, unable to decide between happiness and her love for him! (Kamalini Mukherjee)

A housewife resigned to arranged marriage, paying thy Lord to wed a  mixture of Ajith/ Vijay, ends up being wedded to a guy (Sethupathi) who's infatuated to a widow, whose loyalties lie elsewhere. (Anjali)

What we have here is women who haven't given up, men who haven't realised the inscrutable affection of love that their better halves bear for them.

It's a mishmash of noble intentions, made  in the honour of women who stayed back to let their men go about their impulsive, unchecked, selfish walks of life, with gravely misplaced loyalties indicating future tragic casualties.

Do these men, who venture out in the dark, choose to be enlightened by their spouses or do they impulsively choose to self destruct is what is the story to unfold.

The director hasn't given us Bharathi 's Pudhumai Penn, he gives us Iraivi - iraivanikum melana thunaivi.

It's a brave attempt in support of the women of the Old, the sacrificial lambs, even to date in this male dominated institution of marriage, a heart felt thanks to a mother's unflinching affection to her kids, a housewife's thankless job  and their fidelity of self sacrifice and motherhood, a loving lady's unceasing regard for the loved one, finally an ode to all the women who are forever under appreciated by us.

"Yevalo kevalamana aatkal ille namma?" -
 S J Surya's really knows to act, his instincts to exaggerate are subtly downplayed  by the director and given to us in refreshing doses.Vijay sethupathi plays a pivotal role in the movie,  that would make a man of the ilk described above hate himself. Bobby Simha underplays the role of the torchbearer for under appreciated women.

 Kamalini Mukherjee lets her eyes express, Anjali for a change has gone back to katradhi Tamizh days, to impress.

Karthik Subbaraj tries to elevate women to a pedestal wherein they are the epitome of sacrifice, the verdict is out. But I do agree that they are God's most noble invention, a invention with an ability to create like no man can do! If this movie is a hit, it'll go out to prove that the Tamil Audience are one of the most mature of the lot.

Pic Courtesy - Moviecrow.com

Tuesday, 13 October 2015

Masala Padam


Producer produces for the mass people, critics criticise the mass -masala movies When a producer confronts the ridicule of a critic with a challenge,

Can a rational person :(self proclaimed critic): create ruckus and write a screenplay for a mass masala flick? 

A supposed blogger and a critic takes up the challenge.

There's a journalist with a travel blog supposedly beautiful who's hand picked by the bunch of critics to explore real life situations, to write a script that has all the masala elements of a hit movie .

She's chosen for the pivotal role of the triangular love story, just that there are three guys who are enticed by her . She's just playing them to get a real
Life story for a script. When she realises her mistake,the end, happens to the script.

What are the elements of a masala movie at play in real life with three different men with love for an eye candy? 
The a la carte menu;
Humour (shiva), Romance( newcomer) and Criminality/Action (Bobby Simha)

Now add to that the ajinomoto of love and you're served an exquisite meal of masala Padam. 

Bobby Simha, the criminal,sizzles even when he swerves the dagger with flair in unnerving moments. His prolonged cameo has a lot of depth. Just as he is about to confess his love, he's shot, he goes down when his life's looking up, while heart craves to live and love, 
One last glance at her, as she's rectified of her act, confronted with a fact. 

She was about to bail on him, he graciously leaves, silenced by fate. 

Shiva's presence offers hilarious perfectly timed one liners

Criminality achieves salvation as death helps, for he leaves having loved.

Pragmatism sinks into the middle class humour (shiva) as he settles for mediocrity on the realisation that he's punching above his weight.

Achievement vitiates the heart with the romance of a flirt (newbie)

All the three have gained but she's lost. 

The critics bail out on the challenge as they explain to the producer what sorrow had befallen them. The producer ties the elements of humour, criminality and romance from the critics story with the knot of love and makes a masala potboiler that becomes a super hit.

Watch Masala Padam that derives logic to the stereotypical producers mantra of commercial masala and substantiates it to the common man. 

Pic courtesy - YouTube.com


Monday, 1 December 2014

Kaaviya thalaivan


A love triangle of the old with a benefactor male and an effort that is bold. Plotted with pure hearted jealousy, With music that sizzles and plot that fizzles out to unite lovers for a tragic closure. A noble effort of novelty, with acting that could've been better and tragedy that could've been bitter. Vasantha balan tried a Shakespeare but could only afford Raghuvaran( prithviraj) to play a pivotal role. Though its Siddharth who's afforded a chance to pull a rabbit out of the hat, the expression of prithvi raj is what enthuses you from the crowd while witnessing the act. Captivating visuals help you adore the effort, and the background music aids your comfort. A stare of innocence into the heart of evil helps plant the seeds of rehabilitation for one's misdeeds is what we are made to believe. Overall it's more of a tragedy that leaves you with crocodile tears in the end, but worth your time for its novel picturisation, prithviraj's acting, background score that's just enough for your rupee outlay. 

Pic coutersy ;http://wallpapers.filmibeat.com/ph-1024x768/2014/03/kaaviya-thalaivan_139367984220.jpg